Wednesday 23 September 2015

FIAP Exhibition Dates

Here are the Salons to which we usually send joint entries

SMETHWICK INTERNATIONAL SALON OF PHOTOGRAPHY
Closing Date 9th November
(prints go on to Southampton)

SOUTHAMPTON INTERNATIONAL SALON OF PHOTOGRAPHY
Closing date February

SCOTTISH INTERNATIONAL SALON OF PHOTOGRAPHY
Closing date April
(Prints can go to Edinburgh or Northern Counties)

MIDLAND INTERNATIONAL SALON OF PHOTOGRAPHY
Closing date June
(prints can go to Northern Counties)

EDINBURGH INTERNATIONAL SALON OF PHOTOGRAPHY
Closing date June

NORTHERN COUNTIES INTERNATIONAL SALON OF PHOTOGRAPHY
Closing date August

These two Salons are digital only but good ones to start your entering
BRISTOL INTERNATIONAL SALON OF PHOTOGRAPHY
Closing date January

SWANSEA INTERNATIONAL SALON OF PHOTOGRAPHY
Closing date September


BPE Exhibition Dates

Exhibitions in Date Order showing Class, Closing Date (Month), Contact for Entry Details
Note: the list of exhibitions is not for a specific year, but runs from year to year for the month shown

Clay Cross National Projected Image Exhibition
Digital Projection 5
January
Southport National Open Exhibition of Photography 
Prints 3 / Digital Projection 3
www.southport-ps.co.uk/exhibition
exhibition@southport-ps.co.uk 
Queries 01704 822471 / 0777 334 1789
January
Solihull Open Exhibition of British Photography
Prints 3 / Digital Projection 4
www.solihullphotographicsociety.co.uk
Jim Hiscox Tel: 0121 708 0249
January
Vale of Evesham National Photographic Exhibition
Digital Projection 4
www.eveshamphoto.net
exhibition@eveshamcameraclub.co.uk
Queries 01386 556746
February
Basingstoke Camera Club Exhibition
Digital Projection 5
exhib@basingstokecameraclub.co.uk
www.basingstokecameraclub.co.uk
March
Great Barr PS Panels Exhibition 
Prints 4 / Digital Projection 4
John Haines hainesjohn21@yahoo.com 0121 604 3035
March
South Birmingham Open Digital Exhibition
Digital Projection 4

Queries: grahamproffitt@blueyonder.co.uk
www.southbirminghamphotographicsociety.co.uk/exhibition/
March
Alba Photographic GroupDigital Projection 5
www.albaps.co.uk Lorna McDonald  lornamac27@btinternet.com
phone 01698 254371
March
Robin Hood Open Digital Exhibition
Digital Projection 6
www.robinhoodexhibition.co.uk
info@robinhoodexhibition.co.uk 
April
Neath & District PS SalonDigital Projection 4

April
Rushden Open Photography ExhibitionDigital Projection 4
info@rushdenopen.co.uk

www.rushdenopen.co.uk
April
Cotswold (Monochrome
Prints Silver 3 / Prints Digital 3
http://cotswold-monochrome.co.uk
Geoff Camber 01452 612547
May
Winchester National Exhibition
Digital Projection 4
www.winphotosoc.co.uk
winchesternational@winphotosoc.co.uk
Louise Brown 023 8026 5979
 June
Beyond Group 
Prints 3 / Digital Projection 3
http://www.beyondgroup.org.uk
July
SRGB Photo Group - Print Celebration
Prints
 5
http://srgbphotogroup.co.uk/
July
Great Barr Open Exhibition 
Slides 2 / Prints 4 / Digital Projection 4
John Haines hainesjohn21@yahoo.com 0121 604 3035
August
Dingwall National Projected Image Exhibition 
Digital Projection 4
www.dingwallcameraclub.com
September
Shrewsbury Open Photography Exhibition 
Digital Projection 4
http://www.photocompentries.net/?org=ShropshirePS  (online entries link)
sope@shropshire-photographic.org.uk
September
Yardley Photographic Society Exhibition
Prints 4 /  Digital Projection 2
Queries 0121 749 3289  exhibition@yardleyps.co.uk www.yardleyps.co.uk
September
Guernsey Salon of Photography 
Digital Projection 4
www.guernseysalon.co.uk
October
Frome Wessex Salon of Photography
Digital Projection 6
www.fromewessexcameraclub.co.uk/pages/salon.php
fsop@mail.com
Queries Alan Denison ( fsop@mail.com or text to 07711388631)
October
Bebington Salon of Photography Digital Projection 4
www.bebingtonps.org.uk
November

Saturday 19 September 2015

National (BPE) and International (FIAP) Exhibitions

As well as working towards Distinctions, you can get letters after your name by entering External Exhibitions. These fall into two groups, the National BPE and International FIAP Exhibitions.

Why Enter or not

  • It can broaden your horizons.  Although you may share your work online (FB FlkR etc), the communities & groups often seem to have a consistent style of photo that they like to shoot and share.  Salons cover a wide range of styles which can help you develop as a photographer
  • It can be expensive and addictive!
  •  It can be frustrating.   Some of your photos may have earned you lots of money, or got lots of likes etc on social media yet flop in exhibitions.  Conversely, you may have some images that win you awards in some salons and don't even get accepted into others.  Sadly, this is par for the course when it comes to this type of photographic endeavour.  Quality will win out over time, but you need to be prepared for the Selectors at different salons to have different views
  • It can be motivating.  Projects are a great way to get you out taking photographs and working towards the accreditations is just another type of project.  Working towards a goal over a number of months & years can definitely be rewarding AND leave you with a great portfolio of images.
  • Make new friends!   Joining our Aperture group can be useful for making new friends & getting feedback on your work from experienced exhibitioners.
  • It can improve your photography.  Having to think very critically about what you submit is a good thing!  Judges are extremely harsh when it comes to easily fixed errors – focus, oversharpening, noise etc.  Likewise, seeing the types of images doing the rounds across the salon scene can help inspire you to shoot new subjects in different ways, or apply different post-processing techniques to create a new look & feel to your images.  
QUICK REFERENCE GUIDE
1.     Work on your portfolio - get 4 solid images for each section you want to enter.  I suggest colour & monochrome as a minimum, plus extras for other sections like travel, journalism, portraits etc.
2.     Start with a PDI competition.  
3.     Make sure it is FIAP or BPE patronised - you may want both at this stage.  
4.     Read the rules for the salon carefully - like the resolution needed for your files, the cost and any other special rules.
5.     Submit your entry!  Upload your files to the salon website.  Make sure you use unique names for each image and that you record the names of the files you sent AND the categories you sent it for.  
6.     Make sure you record the relevant details for all awards & acceptances.  Use a  spreadsheet as a starting point!
7. If you wish to send prints, we have boxes going from CCC to many exhibitions

BPE: British Photographic Exhibitions Crown Awards and Distinctions 

The National Exhibitions that are members of the British Photographic Exhibitions offer a Crown Award system designed to enable successful exhibition photographers to gain additional recognition. Exhibitors are invited to aggregate their acceptances in the affiliated exhibitions and, upon reaching the accepted aggregate, to apply without charge for a Crown Rating Award. Each successful applicant for an award will receive a Certificate and a Ribbon and will be able to use the letters acknowledging their award after their name. Those who achieve the top crown award rating BPE5* are then invited to aggregate acceptances and awards in the member exhibitions and upon reaching the accepted aggregate to apply, without charge, for Associateship ABPE and Fellowship FBPE. The successful applicant will receive a Certificate and Medal and will be able to use the letters acknowledging their award after their name. Members of the Aperture group regularly enter BPE Exhibitions (eg Beyond Group, Great Barr, Bromsgrove). 

FIAP: - Federation Internationale de I'Art Photographique 

 As an encouragement to photographers to take part in international events, FIAP created a worldwide system of photographic Distinctions earned by success in FIAP supported exhibitions. These are: - • AFIAP - Artist FIAP • EFIAP - Excellence FIAP • EFIAP/b - EFIAP Bronze • EFIAP/s - EFIAP Silver • EFIAP/g - EFIAP Gold • EFIAP/p - EFIAP Platinum • MFIAP - Master Photographer FIAP These are gained by accumulating acceptances in FIAP-approved exhibitions. 
Members of the group also send work to these International exhibitions eg. Smethwick, Southampton, Edinburgh. Here a wider range of work can be viewed as all nations have their own styles and fashions in photography. 

Other Exhibitions

RPS Print and DPI Exhibitions
These are advertised on the RPS website and are open to non-Members. The judges are often professional photographers and there is a definite preference for images including people but club members have had successes with other images. http://www.rps.org/exhibitions-and-competitions
Contact Ian wilson

London Salon
A different type of images are selected by the London Salon. The aim of the London Salon is to exhibit only that class of photographic work in which there is distinct evidence of artistic feeling and execution. See the website (http://www.londonsalon.org/) and Facebook page https://www.facebook.com/groups/londonsalonofphotography/
Contact Ann Miles

Here are a few images that Members have sent me that have been accepted in Exhibitions and Salons

1. Sue McGilveray

2. Allan Hale

3.Alison Rawson

4. Ann Miles


5. Richard Nicoll 


6. Ian Wilson



7. Paula (first two) and Brian (third) Horrobin successes in RPS International

RPS and PAGB Distinctions

 Royal Photographic Society

There are 3 levels of distinction available - Licentiateship, Associateship, and Fellowship.

One of the functions of the Aperture Group is to help Members prepare work for Distinctions. We are very happy for you to prepare for a distinction, even go to an Advisory Day, but not actually sit the Assessment as it is very good motivation to improve and extend your photography.

There is an Advisory Day on Saturday 8th November at Foxton (email ann@pin-sharp.co.uk for details)

Licentiateship (LRPS) This is the first level of distinction and is awarded for 'a good level of basic skill and competence'. You will need to present 10 images, either prints, slides or digital images.

Here are some examples of panels that have resulted in the award of LRPS to the applicants.

Barry Badcock LRPS

Chris Fell LRPS

 Paul Ashley LRPS


 Sylvie Gummery LRPS

Ken Bingham LRPS

 

 Liz Hale LRPS


Torrie Smith LRPS


Associateship (ARPS) The Associateship is awarded for a 'high standard of technical competence and individual creative ability'. You will need to submit 15 images, either prints, slides or digital images. For an Associateship, you will need to submit your work into one of the following categories: Applied (incorporates documentary, portrait, record, theatrical, journalism, wedding.); Contemporary and Conceptual; Natural history; Printing; Science; Travel; Pictorial (unmanipulated) and Creative. For more on these categories, see the RPS Website.
Again here are a few examples of successful  panels from club members

Alison Rawson ARPS (Applied)


 Clive Downes ARPS (Applied)


 Ian Wilson ARPS (Creative - was Visual Arts)




 Paula Horrobin ARPS (Pictorial)



 Richard Nicoll ARPS (Natural History)


 Shelagh Wooster ARPS (Pictorial was Visual Arts)


Tim Harris ARPS (Creative was Visual ARts)

 Allan Hale ARPS  (Creative)




 Fellowship (FRPS)  is awarded for 'exceptional standards of excellence and distinguished ability'. You will need to already hold an ARPS and to submit 20 prints or slides in one of the above categories..

Ann Miles (Creative)


Photographic Alliance of Great Britain 

The PAGB has 3 levels of distinction: CPAGB, DPAGB and MPAGB All applicants must pre-qualify by supporting their Federations photographic events. (see http://eaf.org.uk/downloads/AppEligibilityCPAGB.pdf for eligibility criteria). Applicants are required to submit a number of prints or digital images. You may not mix prints and digital images. These pictures are mixed with all the other applicants’ pictures to be judged in rounds. This ensures that each picture is judged entirely on its own merits, and not as the work of a particular photographer. Six judges will judge your work. Each print, slide or digital image will be scored from 2 - 5 by each judge, and the total score for each picture will be recorded.

There is an advisory day in Fulbourn on Sunday 11th October - see http://www.eaf.org.uk/

CPAGB (Credit PAGB) The standard required is 'Good club photography'. This is defined as being photographs that could be expected to do well in club competitions and/or represent a club in federation competitions. Applicants are required to submit 10 prints, slides or digital images. A score of 200 or more out of a possible 300 is needed to gain the distinction.
DPAGB (Distinction PAGB) The standard required is that of 'Open exhibition photography'. It is defined as photographs that could be expected to get a high rate of acceptance in open exhibitions. Applicants are required to submit 15 prints, slides or digital images. A score of 300 or more out of a possible 450 is needed to gain the distinction.
MPAGB (Master PAGB) The standard required is that of 'the highest standard of amateur photography'. It is defined as photographs which display a very high standard and could be expected to have a considerable level of success at international exhibitions, including 'consistent and frequent acceptances' and likely to win awards. Applicants are required to submit 20 prints, slides or digital images. A score of 450 or more out of a possible 600 is needed to gain the distinction. You must have held the DPAGB for at least 11 months on the date of adjudication.